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Celtic illumination

This page documents my work inspired by insular art, particularly the Pictish stones of Easter Ross and the illuminated manuscripts of the Irish school. I'll be using traditional pigments and working on parchment but giving a more contemporary twist to the themes.

 

 

Among the pervading grace and lightness of spring
Among the pervading grace and lightness of spring
Commission for the National Library of Scotland,traditional pigments on parchment, insular geometry mixed with graffiti tools and techniques, roughly A3 size. 2018
Not To Blindly Follow
Not To Blindly Follow
Incipit for Dark Mountain Issue 12,Sanctum. 21x27.5cm. Traditional pigments with spraypaint. 2017
This Pen is a Splinter
This Pen is a Splinter
Incipit page for DM12, Sanctum, traditional pigments on parchment,21x27.5cm, 2017.
Singularity
Singularity
Singularity, Traditional pigments and graffiti markers on parchment, 2016.
Quoniam
Quoniam
traditional pigments on parchment, 2016
The Land
The Land
Incipit for DM12
An Bealach
An Bealach
A commission for Glasgow School of Art and An Lanntair to commemorate links with St. Kilda on the Isle of Lewis 2016.
In Principio
In Principio
In Principio Erat Verbum,world's largest illumination on parchment, 41x110cm, red deer stag. 2017.
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